STATEMENT
In an era dominated by hyper-fast, digital imagery where art often loses its authenticity and photographs are reduced to mere data points, I strive to create work that transcends this fleeting nature by questioning how we visually consume the world.
My photographs exist as physical objects, capturing time that evoke a sense of physical stillness and philosophical contemplation.
My commitment with photography explores the intricate relationships between classical beauty and universalism, often through the lens of philosophical inquiries, creating subjects that reflect these ideas. For me, photography is not merely a method of capturing moments passively, but a profound medium through which I engage with deeper questions of existence and concept behind the real, guided by the Japanese principles of simplicity, clarity, imperfection, and the passage of time.
Ultimately, my photography serves as an invitation to pause, to look beyond the surface, and to recognize the beauty in impermanence and the everyday. It is a meditation on time and a tribute to the subtle, often unnoticed cycles in man-made environments that quietly shape our lives.